Don’t dream it’s over. Or: Don’t dream. It’s over.

The protagonist then arrives at a major hurdle wherein he begins to question the goal he set out for himself at the beginning of our story. With everything taken from him, the protagonist probes deeper into his problem, and sometimes, with the aid of an important person or object, experiences catharsis and reflection over what has happened and what he has to do. He gathers strength from this and arrives at another point of decision on whether or not he should continue to reach for his goal.¹

I’ve always wanted to teach film. It’s the story of my life.

¹Even if he decides to pursue it, the protagonist does not always win.